by Nunilo M. de Leon
This happened when I was once in Dada’s bedroom where there were two large color portraits hanging on the wall; one of a pretty young lady and the other of a more mature lady who looked like Dada. “Ako iyan”, she said, pointing at the younger lady’s picture. “Ako” was my grandaunt Dada Ninay, Catalina Gonzales de Leon. “At iyan ang ina ko, ang Impong Biyang mo”, waving towards the other picture, which was that of her mother, my great-grandmother, the late Maria Gonzales de Leon, Inkong Tasio’s wife. Then she took me to the adjoining bedroom, indicated another portrait on the wall, that of another young lady, and said “Siya naman ang Lola Juli mo, asawa ng Lolo Ramon mo”. “Lola Juli”, Juliana Santos Pantangco de Leon, was my late grandmother, the first wife of “Lolo Ramon” Gonzales de Leon, my grandfather and Dada Ninay’s elder brother.
This happened when I was once in Dada’s bedroom where there were two large color portraits hanging on the wall; one of a pretty young lady and the other of a more mature lady who looked like Dada. “Ako iyan”, she said, pointing at the younger lady’s picture. “Ako” was my grandaunt Dada Ninay, Catalina Gonzales de Leon. “At iyan ang ina ko, ang Impong Biyang mo”, waving towards the other picture, which was that of her mother, my great-grandmother, the late Maria Gonzales de Leon, Inkong Tasio’s wife. Then she took me to the adjoining bedroom, indicated another portrait on the wall, that of another young lady, and said “Siya naman ang Lola Juli mo, asawa ng Lolo Ramon mo”. “Lola Juli”, Juliana Santos Pantangco de Leon, was my late grandmother, the first wife of “Lolo Ramon” Gonzales de Leon, my grandfather and Dada Ninay’s elder brother.
“Hindi ko alam kung saang lupalop siya nakatira. Doon yata sa Hagunoy.” That was how “Dada Ninay” replied when I first asked about her father, my “Inkong” whose name, I later learned, was Anastacio de Leon or “Inkong Tasio”, Dada’s father and my great-grandfather. Then she began to talk about other things, which was her way of saying “Subject closed! Period!”
Of course I had to ask where Inkong was. That was when she gave me her curt reply about “kung saang lupalop . . . sa Hagunoy”. I also wanted to ask her about the other portraits and the diplomas on the walls of the sala, but I knew it was not the time for more questions. Her inborn initial reticence, however, did not stop me from trying to learn more about Inkong later. Revelations would only come little by little, from many other sources, including Dada herself, and over a long time.